Where Scream introduced "the rules" of the slasher as a means to break them, its sequels built a box that became increasingly constrained by lore and meta commentary. This pushed the film series farther away from Woodsboro — to college (Scream 2), to Los Angeles (Scream 3), to New York (Scream VI), getting to a point where Final Girl Sidney Prescott (Neve Campbell) was no longer the hero, but either a supporting character (Scream 4 and 5 — which was confusingly titled Scream) or absent altogether (Scream VI).
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In Scream 7, Williamson and his co-writers offer a collection of kids who are spirited, funny, quirky, and creepy. They are distinctive and not casually disposed of, but are brutally killed. This reflects the first film, which didn't take itself that seriously. As the franchise switched hands to directors Matt Bettinelli-Olpin and Tyler Gillett with Scream 5 and 6, the new heroine's (Melissa Barrera) brooding over being the offspring of Billy Loomis dragged the franchise into a suffocatingly grim terrain.